Music
and musical instruments
Tamasha
troupes traditionally consisted of two untouchable communities of Mahars and Mangs. Various roles were assigned to the members of particular
professions. The butcher, a Muslim would play the dholki; the carpenter would play the daf (a kind of drum) whilst the Brahmins would compose the verse.
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Picture courtesy; google image |
The Shahir
was accompanied by a band of musicians. The instruments traditionally used the dholki, daf and tuntune (single
stringed instruments), cymbals and an iron triangle used to beat the rhythm.
The instrumentalists are singers as well, who join in the refrain in high
pitched voices. There is also the surtya who provides the drone. In the time of
the Peshwas, the last phase was the mujra
which consisted of homage in verse to noted shahirs
and saints. Today, one finds very few
examples of mujra. The musical
compositions of the Tamasha manifest
the typical phenomenon of the simultaneous use of the Raga system and the
incorporation of several folk melodies. Amongst the Ragas, Yaman, Bairavi, and Pilu are common.
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